Barlow heartbreak inspires song

Blackpool Citizen: Gary Barlow has revealed how the stillbirth of his daughter filtered into the songwriting on his latest album. Gary Barlow has revealed how the stillbirth of his daughter filtered into the songwriting on his latest album.

Gary Barlow has told for the first time how the stillbirth of his daughter filtered into the songwriting on his latest album.

In a new BBC documentary, the chart star told how the title track Let Me Go was fuelled by the heartbreak as well as by the death of his father.

He suggests to interviewer James Corden that he is channelling the people he has lost and using "someone else's" voice.

Barlow and his wife Dawn were devastated when their fourth child Poppy was delivered stillborn in August 2012, three years after his father Colin died.

In the new film, When Corden Met Barlow, he explained he was pleased to be able to create a song which was celebratory and which his fans might consider on the face of it to be upbeat

Corden tells Barlow he concluded from listening to the song that it was written by his stillborn child.

Barlow explains: "F rom that thing happening, to my dad's passing, there's a lot of them in this record with me.

"I wanted it to be a celebratory record because that's where we're at in our lives with the whole thing that happened. And it makes me really happy when I see people going crazy to that song.

"It really is, because it should be a celebration, that song, because in some respects it's alive, that record, and those lyrics and what it relates to.

" It keeps a life and a flame in the whole thing. And I love it, I love that it has got two elements to it - I love that on one hand you think, 'this is just the most fun ever I've had' to this record; and then when you start going beneath that, you really, you see what it's saying. It's not my voice, it's someone else's."

In the film to be screened on BBC1 on Monday at 9pm, he also talks about the dark days when his solo career went awry after the late 1990s, before he found a new flush of success when Take That reformed.

He points out that many of his biggest hits were written on the same grand piano, but as the hits dried up he found himself getting increasingly frustrated.

Barlow says: "I swear whenever I used to sit at this piano, I used to write a hit. I just did, it was one of those instruments.

"It slowly drove me crazy, this piano, because obviously, after the record deal ended, I was spending a lot of time in the studio by myself trying to come up with stuff. It just didn't talk the way it used to talk.

"Until the point where I remember spending two days just looking at it. I think I was driving myself insane at the time."

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