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Now showing at Odeon Blackpool Rigby Road,Blackpool,Lancashire FY1 5EP 0871 224 4007

  • A Most Wanted Man
  • A Walk Among The Tombstones
  • Before I Go To Sleep
  • Before I Go To Sleep (Subtitled)
  • Dawn Of The Planet Of The Apes
  • Guardians Of The Galaxy
  • How To Train Your Dragon 2
  • If I Stay
  • Let's Be Cops
  • Lucy
  • Lucy (Subtitled)
  • Mrs Brown's Boys D'Movie
  • NT Live Encore Screening: Medea
  • Planes 2: Fire & Rescue
  • Pride
  • Salome And Wilde Salome + Q&A: Live Satellite Transmission
  • Sex Tape
  • Tarzan
  • The Boxtrolls
  • The Boxtrolls (Subtitled)
  • The Boxtrolls 3D
  • The Giver
  • The Guest
  • The Hundred-Foot Journey
  • The Inbetweeners 2
  • The Nut Job
  • The Riot Club
  • We Are The Best!

A Most Wanted Man 4 stars

movie title

German intelligence operative Gunther Bachmann hopes to identify and break up terrorist cells by extracting information from the local Muslim community. He believes but cannot prove that philanthropist Dr Abdullah is channelling funds to one such cell. The surveillance operation on Abdullah becomes complicated when Chechen refugee Issa Karpov enters Hamburg illegally and is identified as a terrorist by Russian intelligence.

  • GenreAdaptation, Drama, Thriller
  • CastRachel McAdams, Robin Wright, Philip Seymour Hoffman, Willem Dafoe, Daniel Bruhl, Nina Hoss, Homayoun Ershadi, Grigory Dobrygin.
  • DirectorAnton Corbijn.
  • WriterAndrew Bovell.
  • CountryUK/US/Ger
  • Duration121 mins
  • Official sitewww.amostwantedmanmovie.com
  • Release12/09/2014

Great actors don't just play a role, they become the role, vanishing beneath the skin of a character so every word and gesture appears organic. Philip Seymour Hoffman was one such rare talent. On stage and screen, his emotional range and versatility were breath-taking including a bravura embodiment of Truman Capote that won him the triple whammy of BAFTA, Golden Globe and Academy Award.

He was heart-breaking as a boom-mike operator in Boogie Nights, whose crush on a porn star ends in humiliating rejection, hilarious as a maverick CIA agent in Charlie Wilson's War and monstrous as a charismatic cult leader in The Master. Each physically and emotionally demanding role fitted him like a glove.

A Most Wanted Man is distinguished by Hoffman's final performance in a leading role and it's a typically understated yet riveting portrayal of a German intelligence agent, who lives on his nerves and occasional swigs of whisky or puffs of a cigarette.

Based on the 2008 novel of the same name by John Le Carre, Anton Corbijn's slow-burning espionage thriller steadily cranks up the tension, building to a nerve-jangling finale that has us holding our breaths.

Chechen refugee Issa Karpov (Grigory Dobrygin) enters Hamburg illegally and seeks refuge with a kind Turkish woman (Derya Alabora) and her son (Tamer Yigit). They put Issa in touch with immigration lawyer Annabel Richter (Rachel McAdams) and Tommy Brue (Willem Dafoe), who is head of the private bank used by Issa's sadistic father to store his ill-gotten coffers.

German intelligence operative Gunther Bachmann (Hoffman) and his team comprising right-hand woman Irna Frey (Nina Hoss) and juniors Maximillian (Daniel Bruhl) and Niki (Vicky Kreps) identify Issa as an escaped militant jihadist.

They choose not to arrest him but use Issa as bait to snag Muslim academic and philanthropist Dr Faisal Abdullah (Homayoun Ershadi), who is suspected of channelling funds to terrorist Islamic organisations. Gunther and his team exert pressure on Richter and Brue to coerce Issa into donating his father's money to Abdullah.

However, the plan doesn't unfold smoothly and Gunther's operation faces intense scrutiny from high-ranking CIA operative Martha Sullivan (Robin Wright), whose view of humanity is summed up when she observes, "Every good man has a little bit of bad, doesn't he?"

Like the 2011 film adaptation of Le Carre's Tinker Tailor Soldier Spy, A Most Wanted Man delights in the minutiae of the spy game. Expertly choreographed scenes of surveillance are punctuated by verbal fireworks and threats of violence.

Corbijn refuses to be rushed - even when he is orchestrating a chase by train and car, which is as close as the film comes to a conventional action sequence. Hoffman's nuanced, world-weary performance is complemented by a uniformly excellent international cast. It's a splendid swansong.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

A Walk Among The Tombstones 3 stars

When a shootout with robbers ends in tragedy, booze-sodden NYPD cop Matt Scudder hangs up his badge and gets sober with the help of AA then re-invents himself as a private investigator. He is hired by Kenny Kristo to track down the sadistic kidnappers, who demanded a hefty ransom for his wife Carrie, took the money and still killed their terrified captive. In the course of his enquiries, Matt befriends homeless teenager TJ, who wants to learn how to be a detective.

  • GenreAction, Adaptation, Thriller
  • CastLiam Neeson, David Harbour, Dan Stevens, Adam David Thompson, Boyd Holbrook, Brian 'Astro' Bradley.
  • DirectorScott Frank.
  • WriterScott Frank.
  • CountryUS
  • Duration114 mins
  • Official sitewww.awalkamongthetombstones.net
  • Release19/09/2014

A grizzled private detective meets his match in a pair of sadistic kidnappers in Scott Frank's gritty thriller. Adapted from Lawrence Block's novel of the same name, A Walk Among The Tombstones establishes its grim tone with soft-focus opening credits depicting a blonde woman (Laura Birn) rousing from slumber under the gentle caress of her lover.

As the camera pulls back, we notice a tear trickle down the woman's porcelain cheek and a strip of metallic tape across her mouth, transforming a beatific dream into a nightmare of intolerable cruelty.

Unspeakably bad things continue to happen to good people throughout Frank's film without any guarantee that justice will prevail. Liam Neeson wades through this moral quagmire in typically robust fashion as the private eye, who risks his life for clients in order to atone for one particular sin committed during his inglorious past as an NYPD cop.

The role is more cerebral than the gung-ho avenging angels in the Taken series and Non-Stop, but director Frank duly caters to fans of Neeson's renaissance as a tough-talking action hero with one bruising fight sequence. When a shoot-out on the streets of 1991 New York City ends in senseless tragedy, booze-sodden officer Matt Scudder (Neeson) hangs up his badge and embraces sobriety with the support of Alcoholics Anonymous.

He re-surfaces as an unlicensed private detective, working out of his apartment in Hell's Kitchen. Fellow AA member Peter Kristo (Boyd Holbrook) approaches Matt with an urgent request to help his brother Kenny (Dan Stevens), who has just paid a 400,000 dollar ransom for his wife (Razane Jammal).

The kidnappers took the money then dismembered their hostage. Matt visits Kenny in his plush apartment and the former cop deduces the grief-stricken husband is a drug dealer. Interestingly, the perpetrators knew this from their ransom demand: "You'd pay a million for her if she was product."

Despite initial misgivings, Matt agrees to help Kenny unmask the merciless perpetrators, Ray (David Harbour) and Albert (Adam David Thompson), who are already scoping their next target. In the course of his enquiries, Matt encounters homeless teenager TJ (Brian 'Astro' Bradley), who needs a father figure to keep him safe on the mean streets of the Big Apple.

A Walk Among The Tombstones is a solid and involving genre piece that lays the groundwork for further adaptations of Block's series of books dedicated to Scudder. Matt's sweetheart Elaine, who is prominent on the page, is missing in action from Frank's film, allowing us to concentrate on the case and the relationship between Matt and TJ that feels like a convenient plot device rather than a fully realised surrogate father-son bond.

Neeson doesn't have to stretch himself in the undemanding and hard-hitting lead role, while Downton Abbey heartthrob Stevens makes little impact amidst the explosions of brutality.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

Before I Go To Sleep 4 stars

movie title

Following an accident, 47-year-old wife Christine Lucas suffers from anterograde amnesia. She wakes each morning without any memory or who she is or how she came to be sleeping in a strange bed next to a man she does not know. Consumed by fear, Christine races into the bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben and they have shared many happy years together.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastColin Firth, Mark Strong, Nicole Kidman, Anne-Marie Duff.
  • DirectorRowan Joffe.
  • WriterRowan Joffe.
  • CountryUS/UK/Fr/S
  • Duration92 mins
  • Official site
  • Release05/09/2014

There has been a rich harvest of taut thrillers in 2014 including the independent American features Blue Ruin and Cold In July and gritty British films Locke and Starred Up. With David Fincher's adaptation of Gone Girl looming on the horizon, this is undoubtedly a year when audiences will catch themselves returning to filthy habits and furiously biting their nails in the dark of an unbearably tense cinema. Before I Go To Sleep is guaranteed to jangle nerves and drop a few jaws as summer mellows into autumn. Based on SJ Watson's best-selling novel, this ingenious thriller places us in exactly the same hellish predicament as the heroine, who wakes up each morning without any memory of the past, including her own identity. Through the eyes of this terrified wife, we absorb scraps of information from supposedly reliable sources and try to piece together the truth, unsure if writer-director Rowan Joffe is leading us a merry, sadistic dance. Following a car accident, 47-year-old Christine Lucas (Nicole Kidman) is diagnosed with anterograde amnesia. Each morning, she wakes in a strange bed next to a man she does not know and creeps into the adjacent bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben (Colin Firth) and they have shared many happy years together. "You store up information for a day, wake up, and it's all gone," explains Ben, whose love for his wife holds strong. He leaves for work and Christine continues to learn about her past from information in the house. Then she receives a mysterious telephone call from someone called Dr Nash (Mark Strong), who instructs her to look in the wardrobe. "We've been keeping a video diary. I'm not sure Ben knows," confides the medic. The subsequent footage casts doubt on the facts that underpin Christine's fragile existence. "Don't trust anyone!" whispers Christine to herself in the video diary, tears glistening in her eyes. As Christine reconnects with Claire (Anne-Marie Duff), who is supposedly her best friend, contradictory testimonies drive her to the brink of insanity. Before I Go To Sleep drips-feeds us fragmented flashbacks, clouding our judgement of characters as they orbit Christine, purportedly out of love. Kidman captures the fragility of a woman at the mercy of her condition, who knows she must stare into the abyss before sleep robs her of a day's detective work. Firth and Strong offer sterling support and Joffe cranks up the tension masterfully with each hairpin twist. The guessing game of who to trust is part of the film's diabolical appeal and the script engineers some wonderful bluffs until a gasp-inducing big reveal that should have audiences teetering precariously on the edge of their seats.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

Before I Go To Sleep (Subtitled) 4 stars

movie title

Following an accident, 47-year-old wife Christine Lucas suffers from anterograde amnesia. She wakes each morning without any memory or who she is or how she came to be sleeping in a strange bed next to a man she does not know. Consumed by fear, Christine races into the bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben and they have shared many happy years together.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastMark Strong, Nicole Kidman, Colin Firth, Anne-Marie Duff.
  • DirectorRowan Joffe.
  • WriterRowan Joffe.
  • CountryUS/UK/Fr/S
  • Duration92 mins
  • Official site
  • Release05/09/2014

There has been a rich harvest of taut thrillers in 2014 including the independent American features Blue Ruin and Cold In July and gritty British films Locke and Starred Up. With David Fincher's adaptation of Gone Girl looming on the horizon, this is undoubtedly a year when audiences will catch themselves returning to filthy habits and furiously biting their nails in the dark of an unbearably tense cinema. Before I Go To Sleep is guaranteed to jangle nerves and drop a few jaws as summer mellows into autumn. Based on SJ Watson's best-selling novel, this ingenious thriller places us in exactly the same hellish predicament as the heroine, who wakes up each morning without any memory of the past, including her own identity. Through the eyes of this terrified wife, we absorb scraps of information from supposedly reliable sources and try to piece together the truth, unsure if writer-director Rowan Joffe is leading us a merry, sadistic dance. Following a car accident, 47-year-old Christine Lucas (Nicole Kidman) is diagnosed with anterograde amnesia. Each morning, she wakes in a strange bed next to a man she does not know and creeps into the adjacent bathroom where a series of photographs on the wall begin to fill in the blanks, letting her know that the man is her husband Ben (Colin Firth) and they have shared many happy years together. "You store up information for a day, wake up, and it's all gone," explains Ben, whose love for his wife holds strong. He leaves for work and Christine continues to learn about her past from information in the house. Then she receives a mysterious telephone call from someone called Dr Nash (Mark Strong), who instructs her to look in the wardrobe. "We've been keeping a video diary. I'm not sure Ben knows," confides the medic. The subsequent footage casts doubt on the facts that underpin Christine's fragile existence. "Don't trust anyone!" whispers Christine to herself in the video diary, tears glistening in her eyes. As Christine reconnects with Claire (Anne-Marie Duff), who is supposedly her best friend, contradictory testimonies drive her to the brink of insanity. Before I Go To Sleep drips-feeds us fragmented flashbacks, clouding our judgement of characters as they orbit Christine, purportedly out of love. Kidman captures the fragility of a woman at the mercy of her condition, who knows she must stare into the abyss before sleep robs her of a day's detective work. Firth and Strong offer sterling support and Joffe cranks up the tension masterfully with each hairpin twist. The guessing game of who to trust is part of the film's diabolical appeal and the script engineers some wonderful bluffs until a gasp-inducing big reveal that should have audiences teetering precariously on the edge of their seats.

Showtimes (Click time to book tickets)

Monday 22nd September 2014

Dawn Of The Planet Of The Apes 4 stars

movie title

Simian flu has ravaged the globe, killing almost the entire human race. In San Francisco, one-time military man Dreyfus, who lost his entire family to the virus, leads the human survivors. The truce between humans and apes is tested to breaking point when a diplomatic mission led by Malcolm, his wife Ellie and teenage son Alexander enters the forest to request access to the O'Shaughnessy Dam, which provides the city with its electricity.

  • GenreAction, Adaptation, Drama, Romance, Science Fiction, Thriller
  • CastKeri Russell, Gary Oldman, Andy Serkis, Kodi Smit-McPhee, Jason Clarke, Toby Kebbell.
  • DirectorMatt Reeves.
  • WriterMark Bomback, Amanda Silver, Rick Jaffa.
  • CountryUS
  • Duration130 mins
  • Official sitewww.dawnofapes.com
  • Release17/07/2014

Blending state-of-the-art special effects with an intelligent script, Dawn Of The Planet Of The Apes conjures two hours of animal magic that looks set to be crowned king of the blockbuster swingers. Tim Burton's abortive Planet Of The Apes is now a distant memory thanks to the 2011 revamp Rise Of The Planet Of The Apes and this superior sequel, which pushes the art of motion-capture performance to new limits.

Andy Serkis' exemplary work as Caesar, the super-intelligent chimpanzee who leads the ape uprising, is the film's emotional heartbeat. His ability to convey the character's rage, despair and passion through movement and subtle gesture is breathtaking.

Toby Kebbell is also compelling as Caesar's war-mongering rival, who believes the key to his species' survival is the extermination of humans. Mark Bomback, Rick Jaffa and Amanda Silver's script elegantly draws parallels between the feuding primates, juxtaposing tender scenes of parenting with bruising skirmishes that create divisions on both sides.

Ten winters have passed since simian flu ravaged the globe. In the absence of law and order, basic resources such as water, food and electricity are dangerously depleted. One-time military man Dreyfus (Gary Oldman), who lost his entire family to the virus, leads survivors of the ALZ-113 virus in San Francisco.

He dispatches a team led by family man Malcolm (Jason Clarke) to access the O'Shaughnessy Dam, which provides the city with electricity. In the forest that envelops the dam, the scouting party encounters apes led by Caesar, including his ambitious second-in-command Koba (Kebbell), impetuous son Blue Eyes (Nick Thurston) and Bornean orangutan Maurice (Karin Konoval).

Malcolm's trigger-happy compatriot Carver (Kirk Acevedo) shoots one of the apes and the humans are banished to their stronghold. Once Dreyfus learns about the neighbouring ape community, he asks Malcolm and co to refrain from telling the other survivors.

"They're talking apes with big-ass spears!" shrieks Carver. Malcolm realises that he must earn Caesar's trust to gain access to the dam so he prepares to return to the forest with wife Ellie (Keri Russell) and teenage son Alexander (Kodi Smith-McPhee).

"If you're not back in three days, we're going to go out there and kill every last one of them," warns Dreyfus.

Dawn Of The Planet Of The Apes is a slick thrill ride with brains as well as brawn. The grim mood, which permeates the first half, leads to all-guns-blazing war and director Reeves orchestrates these brutal sequences with elan.

Digital effects are jaw-dropping, giving birth to a realistic army of blood-thirsty apes who cram every chaotic, blood-spattered frame. The film's strong anti-gun message comes through loud and clear, but the appetite for destruction overpowers diplomacy.

"I always think ape better than humans," laments Caesar as his dream of lasting peace founders. "I see now how like them we are."

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

Guardians Of The Galaxy 4 stars

movie title

Abducted from his parents as a child and raised by thieves, gung-ho American pilot Peter Quill is content to gallivant around the far reaches of space. He steals an orb, which is sought by Ronan and his army of Sakaarans, and evades capture by aligning himself with a motley crew of rebels comprising green-skinned assassin Gamora, genetically engineered raccoon Rocket, his tree-like sidekick Groot and vengeance-seeking warrior Drax The Destroyer, whose entire family was slaughtered by Ronan.

  • GenreAction, Adaptation, Adventure, Comedy, Family, Science Fiction
  • CastBradley Cooper, Chris Pratt, Vin Diesel, Zoe Saldana, Lee Pace, Dave Bautista, Josh Brolin.
  • DirectorJames Gunn.
  • WriterJames Gunn, Nicole Perlman.
  • CountryUS
  • Duration128 mins
  • Official sitewww.marvel.com/guardians
  • Release31/07/2014

From its visually stunning opening set to the funky strains of Come And Get Your Love by Native American rock band Redbone, Guardians Of The Galaxy lends the Marvel Comics big screen universe a delightful retro twang. The sardonic anti-hero is seldom parted from his Walkman and he inspires his cohorts to greatness with repeated references to Kevin Bacon and Footloose. As the slick special effects attest, the budget for this intergalactic romp is big - so too are the laughs courtesy of director James Gunn and co-writer Nicole Perlman. The opening sequence affectionately nods to Raiders Of The Lost Ark and when the mystery surrounding the film's fabled treasure is revealed, the space cowboy casually notes the trinket has "a shiny suitcase, Ark of the Covenant, Maltese Falcon vibe". Gunn doesn't skimp on the spectacle - if anything, a couple of the outlandish set pieces are too long - but he adds a comic twist to each deafening blast of pyrotechnics. Thus a centrepiece prison break is underscored by Rupert Holmes' 1979 hit Escape (The Pina Colada Song) and when the anti-hero barely escapes death in his spaceship and an extra-terrestrial girlfriend stumbles up from the hold, he looks at her with embarrassment and confesses, "I'm going to be honest with you. I forgot you were here". Abducted from his parents as a child and raised by thieves led by blue-skinned tyrant Yondu (Michael Rooker), Peter Quill (Chris Pratt) is a thief for hire, who steals a mystical orb sought by sadistic warlord Ronan (Lee Pace) and his army of Sakaarans. Peter evades Ronan's clutches and eventually aligns himself with a motley crew of mercenaries comprising green-skinned assassin Gamora (Zoe Saldana), genetically engineered raccoon Rocket (voiced by Bradley Cooper), his tree-like sidekick Groot (voiced by Vin Diesel) and vengeance-seeking warrior Drax the Destroyer (Dave Bautista), whose entire family was slaughtered by Ronan. When Peter learns the orb is an ancient artefact with the power to destroy the universe, he must put selfish desires to one side to repel Ronan and his underlings including fearsome intergalactic hunter Korath (Djimon Hounsou). Guardians Of The Galaxy is a blast. Pratt brings swagger and dry wit to his emotionally wounded hero, while Saldana adds sass and sex appeal to her otherworldly assassin. Bautista is marvellous as the hulk who takes everything literally - "Nothing goes over my head, my reflexes are too fast" - but almost every scene is stolen by the computer-generated double-act of Rocket and Groot. Cooper voices his feisty gun-toting fur ball with a wonderful blend of defiance and sarcasm, and breaks our hearts when it seems that he might be separated from his beloved sidekick forever. Cameos from Benicio Del Toro and Glenn Close hint at a wider canvas of political intrigue that director Gunn will be keen to explore in a sequel star-dated for release in 2017.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

How To Train Your Dragon 2 4 stars

movie title

During one of his regular sorties with Toothless, Hiccup stumbles upon a lost world full of rescued dragons and a valiant dragon rider named Valka, who turns out to be Hiccup's long lost mother. A tearful family reunion with Hiccup's father Stoick is cut short when diabolical dragon hunter Drago Bludvist storms the lost world and takes control of all of the majestic creatures using a gargantuan Alpha dragon called a Bewilderbeast.

  • GenreAction, Adventure, Animation/Cartoon, Family, Family
  • CastKristen Wiig, America Ferrera, Jay Baruchel, Djimon Hounsou, Cate Blanchett, Gerard Butler.
  • DirectorDean DeBlois.
  • WriterDean DeBlois.
  • CountryUS
  • Duration102 mins
  • Official sitewww.howtotrainyourdragon.co.uk
  • Release27/06/2014 (Scotland); 11/07/2014 (nationwide)

Based on the book by Cressida Cowell, the 2010 computer-animated adventure How To Train Your Dragon soared tantalisingly close to perfection. Chris Sanders and Dean DeBlois' brilliantly executed story of one boy's remarkable friendship with a supposedly fearsome dragon was deeply touching, distinguished by richly detailed visuals and an intelligent script.

The sequel, directed solely by DeBlois, expands the narrative arcs of the characters, testing their mettle in the aftermath of tragedy and conflict. Boys cross the rubicon to manhood, parents make selfless sacrifices to protect their brood and evil poisons an innocent heart.

As a wise woman in the film proclaims, "Good dragons under the control of bad people do bad things". Five years have passed since Hiccup (voiced by Jay Baruchel) befriended Toothless and the inhabitants of the village of Berk now live in harmony with the dragons.

Hiccup's father Stoick the Vast (Gerard Butler) continues to preside over the people. He hopes Hiccup will accept his destiny as the next tribal chief but the boy prefers to soar through the clouds astride his trusty Night Fury.

During a regular sortie with Toothless, Hiccup stumbles upon a lost world of rescued dragons and a valiant rider named Valka (Cate Blanchett), who turns out to be a long-lost face from the past. "It's not everyday you find out your mother is some kind of crazy, feral, vigilante dragon lady!" whoops Hiccup.

A tearful family reunion with Stoick is cut short by diabolical dragon hunter Drago Bludvist (Djimon Hounsou), who storms this lost world and takes control of the majestic fire-breathing creatures using a gargantuan Alpha dragon. World domination beckons and all that stands in Drago's way are Hiccup, Toothless and the boy's plucky friends Astrid (America Ferrara), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill) and the twins Ruffnut (Kristen Wiig) and Tuffnut (TJ Miller).

In almost every aspect, How To Train Your Dragon 2 matches its polished predecessor... except one. The addition of Oscar winner Blanchett to the vocal fold is a calamitous misjudgement. From the outset, the Australian actress is engaged in a futile tug-of-war with her Scottish accent that initially roams the British Isles and eventually strays across the entire Commonwealth.

Her verbal strangulations are horribly distracting and undermine some of the film's most emotionally charged moments of reconciliation and remembrance.

For his part, writer-director DeBlois charts a breathless course between drama, action and comedy, the latter delivered with scenery-chewing gusto by Craig Ferguson as Stoick's best friend Gobber the Belch. "[Valka's] meatballs could kill more beasts than a battle axe. I still got a few knocking around in here!" he grimaces, pointing to his belly.

Flying sequences deliver a vertiginous thrill, especially in 3D, including a couple of death-defying battles that slalom and swoop at dizzying speed. Blanchett aside, lightning nearly strikes twice.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

This film is also showing at:

If I Stay 3 stars

movie title

Musical prodigy Mia Hall goes for a drive along snow-laden roads with her parents Denny and Kat, and little brother Teddy. Mia wakes from a head-on collision and watches paramedics rush her lifeless body into an ambulance. At the hospital, where her grandparents solemnly await news, Mia observes from a distance as medical staff attempt to save her life on the operating table. "This kid's waking up an orphan... if she ever wakes up," one doctor tells his staff.

  • GenreAdaptation, Drama, Romance, Teenage
  • CastJamie Blackley, Chloe Grace Moretz, Mireille Enos, Liana Liberato, Joshua Leonard, Stacy Keach.
  • DirectorR J Cutler.
  • WriterShauna Cross.
  • CountryUS
  • Duration107 mins
  • Official sitewww.ifistaymovie.com
  • Release29/08/2014

Young adults who shed their body weight in tears at The Fault In Our Stars earlier this summer, will be similarly dehydrated by the conclusion of RJ Cutler's heart-tugging drama. Based on Gayle Forman's bestselling novel, If I Stay centres on a talented teenager in limbo between life and death, who must choose between waking from her coma or skipping merrily towards the light.

How the heroine makes this choice isn't entirely clear. Nothing happens when she whispers in the ear of her baby brother that she intends to fight for life but as soon as her resolve weakens and she pleads with the universe to end her misery, it's mere seconds before the pearly gates swing open and beckon her come hither.

Screenwriter Shauna Cross sidesteps a serious discussion of mortality by distilling the teenager's ruminations into a series of flashbacks and montages of an enviably carefree childhood and a fairy-tale school romance.

Add into the overwrought mix the heroine's natural aptitude for the cello and her impending audition for the world renowned Juilliard School for Performing Arts in New York City, and it seems churlish, not to mention ungrateful, for her to consider anything but a return to terra firma.

The musical prodigy is Mia Hall (Chloe Grace Moretz), who has never felt like she fits in with her parents Denny (Joshua Leonard) and Kat (Mireille Enos) or little brother Teddy (Jakob Davies). "I've always felt like this Martian in my family," Mia tells Adam (Jamie Blackley), her school's resident dreamboat, who plays guitar in the band Willamette Stone and is destined for great things, including falling for Mia.

Their romance burns bright until Willamette Stone are signed to a record label and the pressure of touring takes Adam away from Mia. Soon after, Denny and Kat pack the children into the car for an ill-fated drive down snow-laden roads.

Mia wakes from a head-on collision and watches paramedics rush her lifeless body into an ambulance. At the hospital, where her grandparents (Stacy Keach, Gabrielle Rose) solemnly await news, Mia observes from a distance as medical staff attempt to save her life on the operating table.

"This kid's waking up an orphan... if she ever wakes up," one doctor tells his staff.

If I Stay shamelessly tugs heartstrings, constructing an idyllic cocoon of love for Mia, which is shattered to smithereens by cruel misfortune. Moretz and Blackley are an attractive pairing and spark pleasing screen chemistry that sustains our interest through some mawkish and emotionally manipulative moments.

The fractured chronology is unavoidable but hampers dramatic momentum, reducing a middle section laden with reminiscence and regret to a crawl. A hoary and contrived finale is sign-posted well in advance so teenagers have plenty of time to arm themselves with enough tissues to contain their sobs and sniffles.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Let's Be Cops 2 stars

movie title

Ryan O'Malley and best friend Justin Miller misread the dress code for their college reunion party and turn up dressed as police officers. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic. The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush and apprehend Devic.

  • GenreAction, Comedy, Romance
  • CastRob Riggle, Damon Wayans Jr, Jake Johnson, Nina Dobrev, James D'Arcy.
  • DirectorLuke Greenfield.
  • WriterNicholas Thomas, Luke Greenfield.
  • CountryUS
  • Duration104 mins
  • Official sitewww.letsbecops.com
  • Release27/08/2014

If the title of Luke Greenfield's hare-brained buddy movie was a rhetorical question, the unequivocal answer would be: Let's not! Lifeless, limp and relentlessly unfunny, Let's Be Cops is a scattershot comedy about downtrodden pals, who don LAPD uniforms for a party and discover newfound respect because of the badge. Films of this ilk propel characters on a journey of self-discovery laden with mishaps and misadventures, at the end of which, they glean valuable life lessons about self-belief and courage.

The lessons we learn from Greenfield's picture are manifold: an amusing dramatic premise doth not a laughter riot make; it's never a good sign when you yearn to punch the lead characters within five minutes of them appearing on screen; and misfiring punchlines do not suddenly become hilarious if one of the actors delivers them AT THE TOP OF HIS VOICE.

Ryan O'Malley (Jake Johnson) has frittered away 11,000 dollars he earned from a TV commercial for genital herpes. He lacks direction, as does best friend Justin Miller (Damon Wayans Jr), a videogame designer whose idea for an immersive experience as a LAPD officer is shot down in flames by his zombie-obsessed boss (Jonathan Lajoie).

These much maligned misfits misread the dress code for their college reunion party and turn up in costumes, which Justin bought for his videogame presentation. On the way home, the buddies embrace the power afforded by the uniform including an impromptu stop and search of goons working for sadistic Russian mobster Mossi Devic (James D'Arcy).

The following day, Ryan buys a patrol car and persuades Justin to slip back into his fake cop persona to woo his crush: a pretty waitress called Josie (Nina Dobrev), who dreams of swapping lunch orders for a career as a make-up artist.

Unfortunately, Josie is also the object of Devic's demented affections. Real-life officer Segars (Rob Riggle) swallows Ryan and Justin's buffoonish bluff and shares valuable surveillance on Devic. "He is the Devil's nephew!" warns Segars, whose hard-nosed superior, Detective Brolin (Andy Garcia), becomes suspicious of Ryan and Justin and decides to test their mettle.

Women apparently love a man in uniform but it's hard to imagine anyone loving Luke Greenfield's ridiculous comedy of errors, which attempts to hop on the 21 Jump Street bandwagon and misses by a mile. As a double-act, Johnson and Wayans Jr are irritating and it beggars belief that they accomplish their deception when the characters go out of their way to be exposed as charlatans.

Garcia must have been short of a month's rent to accept his thankless supporting role while Dobrev serves up a two-dimensional loved interest, who apparently has a track record for attracting psychos. Action sequences are perfunctory and the script makes ill-advised forays into homophobia, racism and misogyny in search of elusive giggles.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

Lucy 3 stars

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American twenty-something Lucy is kidnapped by Korean mob boss Mr Jang and forced to work as a drugs mule, carrying a consignment of a valuable synthetic drug called CPH4 sewn into her stomach. During her captivity, Lucy gets into a fight and one of her captors kicks her in the stomach, releasing CPH4 into her system. The drug significantly increases her physical and mental abilities, unleashing telepathic and telekinetic powers.

  • GenreAction, Science Fiction, Thriller
  • CastMorgan Freeman, Scarlett Johansson, Amr Waked, Choi Min-sik, Julian Rhind-Tutt.
  • DirectorLuc Besson.
  • WriterLuc Besson.
  • CountryFr
  • Duration89 mins
  • Official sitewww.lucymovie.co.uk
  • Release22/08/2014

Derriere-numbingly long films may be all the rage but at a lean 89 minutes, Lucy, the new action thriller from Luc Besson, is all the better for bucking this Hollywood trend. And with a kidnapping, killing sprees and questionable drugs thrown into the fray, there's certainly enough in that hour and a half to halt you from slipping out of the cinema.

Lucy (Scarlett Johansson) is a carefree student living in Taiwan, who is tricked by her new boyfriend Richard into doing his dirty work and carrying a briefcase, jam-packed with potent new drugs, into a hotel for him.

But there's no time for pleasantries here and before the concierge has greeted Lucy, Richard has been dispatched and Lucy is held hostage by the neighbourhood's merciless mob of local drug lords headed up by the unsparing Mr Jang (Choi Min-sik).

Waking up, Lucy discovers that the mob has taken the liberty of surgically implanting thousand of pounds worth of a deadly blue drug, CPH4, which increases the user's brain capacity, into her stomach. And more than that, if the bright blue crystals leak, it will kill her. But leak it does and Lucy, who is sent across the world as a drug mule, soon finds her brain working on disturbing new levels, signposted in the film with frequent updates on the percentage of brain capacity she's using.

As well as being hell-bent on exacting revenge on the mobsters, Lucy also busies herself by tracking down the eminent professor Samuel Norman (Morgan Freeman) in Paris who has spent decades researching the brain's potential.

In a deft twist to Johansson's role as a human-like operating system in Spike Jonze's Her, Lucy sees the actress' voice take on a lifeless tone, shedding personality and lightness as her brain's potential expands. Much has been made of the film's neurological theory not stacking up, but scientific soundness isn't the mission here - entertainment is.

And while there are some rather odd moments - the flashes to a prehistoric Lucy, the strained conversation Lucy has with her mum and the missed opportunity to kill Mr Jang while she can - Lucy is nevertheless a punchy film, which demands your attention every minute of the way.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

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Lucy (Subtitled) 3 stars

movie title

American twenty-something Lucy is kidnapped by Korean mob boss Mr Jang and forced to work as a drugs mule, carrying a consignment of a valuable synthetic drug called CPH4 sewn into her stomach. During her captivity, Lucy gets into a fight and one of her captors kicks her in the stomach, releasing CPH4 into her system. The drug significantly increases her physical and mental abilities, unleashing telepathic and telekinetic powers.

  • GenreAction, Science Fiction, Thriller
  • CastMorgan Freeman, Amr Waked, Choi Min-sik, Julian Rhind-Tutt, Scarlett Johansson.
  • DirectorLuc Besson.
  • WriterLuc Besson.
  • CountryFr
  • Duration89 mins
  • Official sitewww.lucymovie.co.uk
  • Release22/08/2014

Derriere-numbingly long films may be all the rage but at a lean 89 minutes, Lucy, the new action thriller from Luc Besson, is all the better for bucking this Hollywood trend. And with a kidnapping, killing sprees and questionable drugs thrown into the fray, there's certainly enough in that hour and a half to halt you from slipping out of the cinema.

Lucy (Scarlett Johansson) is a carefree student living in Taiwan, who is tricked by her new boyfriend Richard into doing his dirty work and carrying a briefcase, jam-packed with potent new drugs, into a hotel for him.

But there's no time for pleasantries here and before the concierge has greeted Lucy, Richard has been dispatched and Lucy is held hostage by the neighbourhood's merciless mob of local drug lords headed up by the unsparing Mr Jang (Choi Min-sik).

Waking up, Lucy discovers that the mob has taken the liberty of surgically implanting thousand of pounds worth of a deadly blue drug, CPH4, which increases the user's brain capacity, into her stomach. And more than that, if the bright blue crystals leak, it will kill her. But leak it does and Lucy, who is sent across the world as a drug mule, soon finds her brain working on disturbing new levels, signposted in the film with frequent updates on the percentage of brain capacity she's using.

As well as being hell-bent on exacting revenge on the mobsters, Lucy also busies herself by tracking down the eminent professor Samuel Norman (Morgan Freeman) in Paris who has spent decades researching the brain's potential.

In a deft twist to Johansson's role as a human-like operating system in Spike Jonze's Her, Lucy sees the actress' voice take on a lifeless tone, shedding personality and lightness as her brain's potential expands. Much has been made of the film's neurological theory not stacking up, but scientific soundness isn't the mission here - entertainment is.

And while there are some rather odd moments - the flashes to a prehistoric Lucy, the strained conversation Lucy has with her mum and the missed opportunity to kill Mr Jang while she can - Lucy is nevertheless a punchy film, which demands your attention every minute of the way.

Showtimes (Click time to book tickets)

Tuesday 23rd September 2014

Mrs Brown's Boys D'Movie 2 stars

movie title

Agnes Brown proudly runs a fruit and vegetable stall in Moore Street Market, continuing a tradition that has been passed down in her family for generations. She hopes to pass the stall to daughter Cathy but a dastardly developer intervenes with plans to bulldoze the market. Aided by Cathy as well as next-door neighbour Winnie and her family, Agnes resolves to take on the Irish establishment and give it a good spanking.

  • GenreComedy, Drama
  • CastRobert Bathurst, Brendan O'Carroll, Nick Nevern, Jennifer Gibney, Eilish O'Carroll, Sorcha Cusack.
  • DirectorBen Kellett.
  • WriterBrendan O'Carroll.
  • CountryUK/Ire
  • Duration94 mins
  • Official sitewww.facebook.com/MBBDMovie
  • Release27/06/2014

First conceived for Irish radio and then as a series of books, the misadventures of feisty Dublin matriarch Agnes Brown transitioned seamlessly from stage to small screen in 2011 with the birth of the BBC sitcom Mrs Brown's Boys. Creator Brendan O'Carroll cast relatives and friends in supporting roles, ensuring the programme was a true family affair.

Critics may have been unkind but the series gained an ardent following. The 2013 festive special topped ratings on Christmas Day, trumping Doctor Who. Now, Agnes and her dysfunctional kin stampede the big screen under the direction of Ben Kellett. Lord help anyone who gets in her way!

Agnes proudly runs a fruit and vegetable stall in Moore Street Market, which has been passed down through the family for generations. The foul-mouthed harridan hopes her daughter Cathy (Jennifer Gibney) will take up the mantle but a dastardly developer, PR Irwin (Dermot Crowley), intervenes with plans to bulldoze the site.

"They won't take me without a fight, whoever they are," Agnes tells Fat Annie (June Rodgers). Unfortunately, Agnes has a 3.8 million Euro tax bill to settle stretching back to her grandmother's time. Aided by Cathy, her sons Mark (Pat Shields), Rory (Rory Cowan) and Dermot (Paddy Houlihan), and next-door neighbour Winnie (Eilish O'Carroll), Agnes resolves to take on the Irish establishment and give it a good spanking.

Dermot's best friend Buster Brady (Danny O'Carroll), bumbling lawyer Tom Crews (Simon Delaney) and a well-to-do barrister called Maydo Archer (Robert Bathurst), who is prone to stress-related Tourette syndrome, pledge their support to Agnes's seemingly hopeless cause.

Mrs Brown's Boys D'Movie opens with a fire safety announcement from the eponymous matriarch "in case we have to ejaculate de building". This sets the crude tone for the next 94 minutes. Punchlines are depressingly predictable and the absence of a laughter track from a live studio audience exposes the script's dearth of gags and imagination.

O'Carroll evidently subscribes to the mantra: if it isn't funny on the page, add some profanities. While Spike Lee and Quentin Tarantino would probably doff their baseball caps to this slurry of gratuitous expletives, repeated uses of cuss words for desperate laughs becomes wearying.

Aside from the large-scale musical numbers that bookmark the haphazard narrative and a pointlessly protracted chase sequence, the film has no obvious cinematic ambitions.

A hare-brained subplot involving Mr Wang (Brendan O'Carroll again), Chinese owner of a school devoted to training blind ninjas, embraces hideous stereotypes that the malformed character might himself describe as "a rittle bit lacist".

Like its small screen counterpart, Mrs Brown's Boys D'Movie doesn't edit out gaffes and revels in moments when the cast corpse one another. If only we were so easily amused.

Showtimes (Click time to book tickets)

Wednesday 24th September 2014

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NT Live Encore Screening: Medea 3 stars

Helen McCrory returns to the National Theatre to assume the demanding title role in Euripides's powerful tragedy in a new version by Ben Power. This recording was filmed live in London and is directed by Carrie Cracknell with music written by Will Gregory and Alison Goldfrapp.

Showtimes (Click time to book tickets)

Monday 22nd September 2014

Planes 2: Fire & Rescue 3 stars

movie title

During a flight with his mentor Skipper, Dusty Crophopper suffers a malfunction and learns that his gearbox is failing. Unfortunately, the model of his gearbox is now out of production, so Dusty must limit his revs or risk a fatal crash. Forced to abandon his racing dreams, Dusty agrees to fly to Piston Peak National Park to train become the town's new fire-fighting plane.

  • GenreAdventure, Animation/Cartoon, Comedy, Family, Family
  • CastDane Cook, Teri Hatcher, Stacy Keach, Julie Bowen, Hal Holbrook, Ed Harris, John Michael Higgins.
  • DirectorRoberts Gannaway.
  • WriterJeffrey M Howard.
  • CountryUS
  • Duration83 mins
  • Official sitemovies.disney.com/planes/
  • Release01/08/2014 (Scotland); 08/08/2014 (UK)

If the first Planes film, a spin-off from Pixar's Cars, appeared to be propelled by merchandising opportunities rather than creative necessity, this action-packed sequel attempts to stand on its own landing gear with a stirring tale of heroism and self-sacrifice.

As the title suggests, Planes 2: Fire & Rescue immerses us in the daredevil world of fire-fighting, honouring the men and women - and aircraft - who "fly in when others are flying out". It's a touching sentiment and screenwriter Jeffrey M Howard engineers some moving exchanges between the characters, some of whom are a splutter away from the scrap heap.

Director Bobs Gannaway employs the 3D format to striking effect in aerial sequences and the animation of raging infernos is impressively realistic. However, there's an inescapable feeling that this gung-ho adventure should have taken a flight path directly to the home formats rather than the big screen.

Soaring over Propwash Junction with his mentor Skipper (voiced Stacy Keach), Dusty Crophopper (Dane Cook) suffers a malfunction. Back at the hanger, trusted mechanic Dottie (Teri Hatcher) diagnoses a failing gearbox. "From now on, you have to keep down your torque to less than 80 percent," she instructs Dusty, putting an end to his illustrious racing career.

Dusty angrily defies Dottie and careens into the town's airport, causing a small fire. The incident casts doubt on the ability of veteran fire and rescue truck Mayday (Hal Holbrook) to service the airport's needs. So Dusty agrees to abandon his racing dreams in order to earn his certificate as the town's fire-fighting plane.

The plucky crop duster heads to Piston Peak National Park to train under helicopter Blade Ranger (Ed Harris), who was once a TV star, and his team including scooper Lil' Dipper (Julie Bowen), helicopter Windlifter (Wes Studi) and ex-military transport plane Cabbie (Dale Dye).

As Dusty masters the art of airborne fire-fighting, he also learns valuable lessons about friendship and endurance. As Blade reminds him, "If you give up today, think of all the lives you can't save tomorrow."

Planes 2: Fire & Rescue is geared towards younger viewers, hammering home the importance of team work and the valuable contribution of emergency services.

There is a handful of verbal and visual gags to engage older audiences: a front cover of industry magazine Cariety; a bar patron drunkenly confiding, "She left me for a hybrid. I didn't hear it coming!" A spoof of the long-running motorcycle police series CHiPs includes a cameo for Erik Estrada as Blade Ranger's partner on air patrol.

On the whole, though, Gannaway's sequel lacks the sophistication and emotional richness of yesteryear's Frozen or recent Pixar fare. Animation is crisp and colourful and the vocal performances are similarly warm so audiences feel a toasty glow before the first plumes of smoke from the computer-generated blazes.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

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Pride 5 stars

movie title

Mark Ashton is the charismatic and outspoken leader of impassioned campaigners, who operate out of the Gay's The Word bookshop in London. Reading news stories about the miner's strike, Mark recognises a cause to champion. "Mining communities are being bullied just like we are," he tells his coterie and they form LGSM - Lesbians and Gays Support the Miners - with the intention of raising funds for a randomly selected Welsh community.

  • GenreComedy, Drama, Historical/Period
  • CastBill Nighy, Andrew Scott, Dominic West, Ben Schnetzer, George MacKay, Jessica Gunning, Paddy Considine, Imelda Staunton, Joseph Gilgun.
  • DirectorMatthew Warchus.
  • WriterStephen Beresford.
  • CountryUK
  • Duration120 mins
  • Official sitewww.pridemovie.co.uk
  • Release12/09/2014

Theatre director Matthew Warchus, who succeeds Kevin Spacey as artistic director of the Old Vic in London next year, will need to de-clutter his awards-laden mantelpiece. His second feature film is a barnstorming culture-clash comedy drama based on the inspirational true story of a group of gays and lesbians, who supported the miners during the 1984 strike and raised thousands of pounds for beleaguered communities, which dared to stand up to the Thatcher government.

This uplifting story of solidarity in the face of adversity and police intimidation is an absolute joy; an unabashed, irresistible crowd-pleaser in the magnificent mould of The Full Monty and Billy Elliot that rouses the audience to bellowing laughter while choking back a deluge of hot, salty tears.

Pride embraces and subverts stereotypes, deftly weaving together stories of personal triumph and anguish as the spectre of Aids casts a long shadow over the gay community.

Mark Ashton (Ben Schnetzer) is the charismatic and outspoken leader of young, impassioned campaigners, who operate out of the Gay's The Word bookshop in London run by Gethin (Andrew Scott). Reading news stories about the miner's strike, Mark recognises a cause to champion.

"Mining communities are being bullied just like we are," he tells his coterie comprising Mike (Joseph Gilgun), Jonathan (Dominic West), Jeff (Freddie Fox), Steph (Faye Marsay) and closeted new boy, Joe (George MacKay). They form LGSM - Lesbians and Gays Support the Miners - and rattle tins for a randomly selected Welsh community.

Mining representative Dai (Paddy Considine) invites Mark and co to the Dulais Valley where committee members Hefina (Imelda Staunton), Cliff (Bill Nighy) and Sian (Jessica Gunning) embrace the fund-raisers with open arms. However, some of the locals are repulsed.

"We're being backed up by perverts," sneers homophobic mother Maureen (Lisa Palfrey), kindling conflict between some of the neighbours and the LGSM.

Pride is a life-affirming ode to tolerance, acceptance and self-belief that defiantly lives up to its title, waving a flag for stellar home-grown filmmaking.

Performances are exemplary, ignoring a few wobbles with the Welsh accents, including a fiery turn from Schnetzer as a fresh-faced trailblazer and sobs aplenty from Mackay as the catering student, who cannot conceal his sexuality forever.

Scriptwriter Stephen Beresford strikes a perfect balance between hilarity and heartbreak, sharing polished one-liners among the ensemble cast including Menna Trussler as a clucky old dear, who labours under the illusion that all lesbians are vegetarians.

Warchus' film builds to a rousing crescendo that delivers a knock-out emotional wallop and opens the floodgates. As Frankie Goes To Hollywood professed during that turbulent summer of 1984: "When two tribes go to war/A point is all you can score." The characters in Pride score their points with unbridled passion and wit.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

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Salome And Wilde Salome + Q&A: Live Satellite Transmission 3 stars

A double-bill of Al Pacino's adaptation of Oscar Wilde's controversial drama starring the Oscar-winning actor and Jessica Chastain in her first ever film role, and Pacino's 2011 documentary, which goes behind the scenes of the making of the film and offers a fresh perspective on the life of Wilde. The screenings are followed by a live satellite broadcast from BFI Southbank in London of a Q&A with Pacino and Chastain, hosted by Stephen Fry.

  • GenreAdaptation, Documentary, Drama
  • CastKevin Anderson, Jessica Chastain, Al Pacino.
  • DirectorAl Pacino.
  • WriterOscar Wilde, Al Pacino.
  • CountryUS
  • Duration240 mins
  • Official site
  • Release21/09/2014 (selected cinemas)

A double-bill of Al Pacino's adaptation of Oscar Wilde's controversial drama starring the Oscar-winning actor and Jessica Chastain in her first ever film role, and Pacino's 2011 documentary, which goes behind the scenes of the making of the film and offers a fresh perspective on the life of Wilde. The screenings are followed by a live satellite broadcast from BFI Southbank in London of a Q&A with Pacino and Chastain, hosted by Stephen Fry.

Showtimes (Click time to book tickets)

Sunday 21st September 2014

Sex Tape 2 stars

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When they first meet, Jay and Annie cannot keep their hands off each other. Two children later, the opportunities for amorous one-on-one time are few and far between, so, on a rare night together, Annie suggests they make a sex tape. Jay and Annie energetically work their way through every position in The Joy Of Sex but the exhausted husband forgets to erase the video file and it uploads to the cloud and syncs to several other iPads, which the couple have given away as presents.

  • GenreComedy, Romance
  • CastCameron Diaz, Ellie Kemper, Rob Corddry, Jason Segel, Rob Lowe.
  • DirectorJake Kasdan.
  • WriterNicholas Stoller, Kate Angelo, Jason Segel.
  • CountryUS
  • Duration94 mins
  • Official sitesextape-movie.tumblr.com
  • Release03/09/2014

All publicity is good publicity and the rise of "leaked" celebrity sex tapes has certainly extended the fame of media darlings far beyond the allotted 15 minutes. Katie Price and Dane Bowers, Pamela Anderson and Tommy Lee, Paris Hilton and Rick Salomon and Tulisa and rapper Justin Edwards all faced a trial by media when their amorous antics suddenly materialised in the public domain. Sometimes, these homemade escapades jeopardized careers. Chart-topping singer R Kelly faced a protracted legal battle in relation to a video featuring an underage girl, and actor Rob Lowe's image was badly tarnished after footage surfaced of a sexual dalliance with young women aged 16 and 22. Lowe subsequently poked fun at himself when he hosted Saturday Night Live and he continues to wedge tongue in cheek with an eye-catching supporting role in Jake Kasdan's potty-mouthed comedy. Sex Tape is the raunchy tale of a happily married couple, who drunkenly agree to perform every position in The Joy Of Sex on camera for their private delectation. When they first meet, Jay (Jason Segel) and Annie (Cameron Diaz) cannot keep their hands off each other and enjoy an impressively gymnastic sex life. Two children later, there are few opportunities for amorous one-on-one time. With their cherubic offspring (Sebastian Hedges Thomas, Giselle Eisenberg) safely entrusted to grandma (Nancy Lenehan), Annie and Jay excitedly agree to make a sex tape. Unfortunately, the exhausted husband forgets to erase the video file and it uploads to the cloud and syncs to several iPads, which the couple have given away as presents. Jay and Annie are horrified when they realise their energetic efforts are available to download to friends, family, the postman and Annie's soon-to-be-boss, Hank (Lowe). When pals Tess (Ellie Kemper) and Robby (Rob Corddry) learn about the existence of the recording, they are aghast, especially Robby who cannot believe Jay performed for three hours. "That's the length of the movie Lincoln!" he gasps enviously. Time is of the essence and Tess and Robby join Jay and Annie as they race through the night to delete the incriminating video file from the iPads and spare their blushes. Sex Tape is a tease that fails to arouse belly laughs or a deep emotional connection to the beleaguered characters. Diaz and Segel, who previously locked horns in saucy comedy Bad Teacher, are an attractive pairing but the script shortchanges them both. A protracted sequence at Hank's palatial home outstays its welcome, replete with escalating animal cruelty. Jack Black cameos late in the film as a porn website proprietor and makes the point that Jay and Annie could have resolved the situation with a simple email or telephone call rather than racing around town like lunatics. A truncated, 20-minute version of Kasdan's film has undeniable appeal.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014

This film is also showing at:

Tarzan 3 stars

John Greystoke, the intrepid CEO of Greystoke Energies, ventures deep into the jungle with his wife Alice and their young son. Their helicopter crashes, killing everyone on board except the young Greystoke heir, who is rescued and raised by apes. As an adult, Tarzan encounters humans once again when beautiful environmentalist Jane Porter arrives in the jungle with William Clayton, the Machiavellian new CEO of Greystoke Energies.

  • GenreAction, Adaptation, Adventure, Animation/Cartoon, Drama, Family, Family, Romance
  • CastJaime Ray Newman, Robert Capron, Kellan Lutz, Trevor St John, Spencer Locke, Mark Deklin.
  • DirectorReinhard Klooss.
  • WriterReinhard Klooss, Jessica Postigo.
  • CountryGer
  • Duration99 mins
  • Official site
  • Release02/05/2014

Since his debut on the pages of a 1912 magazine, Edgar Rice Burroughs's fictional ape man has swung into the affections of successive generations thanks to re-imaginings on the small and big screens. Former Olympic swimmer Johnny Weissmuller famously portrayed the heroic king of the jungle during the 1930s and 1940s flanked by his plucky chimpanzee sidekick Cheeta.

And most recently, Disney immortalised literary myth as an animation feature, a short-lived Broadway musical, spin-off TV series and video games. Now it falls to German filmmaker Reinhard Klooss to put a distinctly modern spin on Burroughs's source text.

Don't be misled by the colourful visuals of this computer-animated adventure and early scenes of comical monkey business. This adaptation isn't a cutesy caper aimed predominantly at children. Tragedy stalks every frame and a couple of sequences, which result in the demise of pivotal characters, could be too scary for the very young.

To enforce the film's modern sensibilities, a rousing burst of Coldplay's anthem Paradise accompanies Tarzan and Jane's romantic swim, replete with longing glances as the protagonists splash about in the water.

John Greystoke (voiced by Mark Deklin) ventures deep into the jungle with his wife Alice (Jaime Ray Newman) and their young son to search for the impact site of an ancient meteorite, which is rumoured to possess immense power.

By chance, as the Greystokes leave the jungle in their helicopter, they stumble upon the meteorite but magnetic interference propels the craft into the mountainside, killing everyone on board except the young Greystoke heir.

The child is rescued and raised by apes and is rechristened Tarzan. As an adult, Tarzan (now voiced by Kellan Lutz) encounters humans once again when beautiful environmentalist Jane Porter (Spencer Locke) arrives in the jungle with William Clayton (Trevor St John), the Machiavellian new CEO of Greystoke Energies.

He also seeks the elusive meteorite and its limitless power and hopes that Jane's father Jim (Les Bubb) will help him. "That's a very pretty daughter you've got there. We wouldn't want anything to happen to her, would we?" snarls Clayton.

Tarzan is a slick yet unsatisfying reworking that struggles to marry the legend with a perplexing subtext about mankind's unsustainable depletion of the earth's resources. Lutz beats his chest on cue to deliver his hero's iconic cry and stilted dialogue including, "Me Tarzan, you Jane".

Locke essays a spunky heroine but she's poorly served by the flimsy script while St John's pantomime villain encourages the audience to hiss and boo his every underhand move.

The introduction of the mysterious meteorite to the jungle is an unwelcome distraction that draws parallels with the extra-terrestrial mumbo jumbo in the fourth Indiana Jones film. An unhappy marriage of something old, something new - that leaves us feeling blue.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Boxtrolls 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastToni Collette, Elle Fanning, Simon Pegg, Nick Frost, Isaac Hempstead-Wright, Jared Harris, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

The Boxtrolls (Subtitled) 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastNick Frost, Elle Fanning, Toni Collette, Isaac Hempstead-Wright, Jared Harris, Simon Pegg, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Sunday 21st September 2014
Tuesday 23rd September 2014

The Boxtrolls 3D 4 stars

movie title

An orphaned boy named Eggs is raised by gentle subterranean creatures that have been unfairly demonised by the terrified, fromage-fixated residents of Cheesebridge. When pest exterminator Archibald Snatcher and his henchmen begin to exterminate the Boxtrolls, Eggs joins forces with the surviving creatures and a girl called Winnie to protect the beasties from harm.

  • GenreAdaptation, Adventure, Animation/Cartoon, Comedy, Family, Family, Fantasy
  • CastElle Fanning, Toni Collette, Simon Pegg, Nick Frost, Isaac Hempstead-Wright, Jared Harris, Sir Ben Kingsley.
  • DirectorGraham Annable, Anthony Stacchi.
  • WriterIrena Brignull, Adam Pava.
  • CountryUS
  • Duration97 mins
  • Official sitewww.theboxtrolls.co.uk
  • Release12/09/2014

Based on the novel Here Be Monsters! by Alan Snow, The Boxtrolls is a rollicking stop-motion animated romp from the makers of Coraline and ParaNorman that proves weird can be truly wonderful. With faint echoes of Raymond Briggs' Fungus The Bogeyman, Graham Annable and Anthony Stacchi's quirky fantasy imagines a race of subterranean creatures, who root through bins in search of spare parts for their mechanical creations.

Despite a hearty appetite for slimy bugs, these pungent, green-skinned denizens of the underworld are cute rather than scary, possessing relatable human traits such as a passion for music or a quivering fear of the unknown. They spare troll blushes by wearing empty cardboard boxes and the former contents of these mouldering cartons provide each expressive character with a name such as Fish, Knickers, Sweets, Clocks and Fragile (ho ho!).

The meticulous detail of the movable figures and miniature sets is impressive, and co-directors Annable and Stacchi corral a vast team of animators, who produce thrilling chases and quieter moments of ribald humour.

The well-to-do, Victorian-era city of Cheesebridge is visited under the cloak of darkness by the eponymous beasties. One dark night, a Boxtroll called Fish (voiced by Dee Bradley Baker) kidnaps the infant son of a local inventor (Simon Pegg) and spirits away the child to the underground lair.

This shocking act plays into the grubby hands of pest exterminator Archibald Snatcher (Sir Ben Kingsley). "Prepare to say bye-bye to your brie, cheerio to your cheddar!" cackles Snatcher, striking fear into the heart of Lord Portley-Rind (Jared Harris) and the other fromage-fixated noblemen.

They grant Snatcher a place at the cheese-tasting top table if the exterminator and his henchmen - Mr Trout (Nick Frost), Mr Pickles (Richard Ayoade) and Mr Gristle (Tracy Morgan) - kill every last Boxtroll. Unaware that he is human, abducted boy Eggs (Isaac Hempstead-Wright) ventures above ground with the Boxtrolls and encounters Lord Portley-Rind's snooty daughter, Winnie (Elle Fanning).

She initially believes the horror stories about Boxtrolls devouring children - "Eat me. I'm sure I'm delicious!" - but once Winnie learns the truth about Eggs' past, she agrees to help vanquish Snatcher and his snivelling cohorts.

The Boxtrolls is a delight for the young and young at heart, hinging on the notion that families come in all shapes and sizes. Irena Brignull and Adam Pava's script is laden with verbal and visual gags, striking a gently mischievous tone throughout like when Winnie spots Eggs tugging at the crotch of his uncomfortable suit and whispers, "Don't snatch them in public. That's why they are called privates!"

Frost, Ayoade and Morgan provide the majority of the comic relief between action-packed set-pieces. Remain seated during the end credits for a hilarious scene of existential angst, which succinctly reminds us how pain-staking and time-consuming the stop-motion animation process is.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Giver 3 stars

movie title

In the mid 21st-century, mankind has been devastated by war. The survivors decide to erase the citizens' memories, as well as their feelings, except for those of one trusted individual, The Giver, who passes on his or her memories to a Receiver when the time comes. Jonas has been chosen as the Receiver in his community and he begins to receive memories from The Giver. As he receives more memories, Jonas comes to the belief that every citizen should be blessed with recollections of the past.

  • GenreAdaptation, Drama, Fantasy, Science Fiction
  • CastBrenton Thwaites, Alexander Skarsgard, Taylor Swift, Odeya Rush, Katie Holmes, Meryl Streep, Jeff Bridges.
  • DirectorPhillip Noyce.
  • WriterMichael Mitnick, Robert B Weide.
  • CountryUS
  • Duration97 mins
  • Official sitewww.thegiverfilm.com
  • Release19/09/2014

Happiness is an illusion in The Giver, a sci-fi thriller based on the best-selling novel by Lois Lowry about a highly regimented society, which erases memories of the past in order to secure a utopian future. Children are genetically engineered and placed with parents, who raise them until a ceremony which designates a role to each young adult.

Citizens don't see colour and they have no concept of dishonesty, hunger, jealousy, suffering, violence or wrath. Sameness is cherished: identical family structures, identical homes, identical clothes.

Everybody fits in because society has been designed that way. In Phillip Noyce's film, conformity also snuffs out love, passion and defiance - the sparks to the flame of the indefatigable human spirit - until one intelligent young man speaks out.

Jonas (Brenton Thwaites) lives in apparent bliss with his parents (Alexander Skarsgard, Katie Holmes), little sister Lily (Emma Tremblay) and best friends Fiona (Odeya Rush) and Asher (Cameron Monaghan). At the annual graduation ceremony, the Chief Elder (Meryl Streep) christens Jonas the new Receiver of Memories.

He will become the community's keeper of ancient recollections that are denied to the rest of the populous. "You will learn the secret history of the world - before you, before me, generations back," explains the Giver of Memories (Jeff Bridges), who introduces the teenager to terrifying concepts of pain, sadness, war and death.

This brutal education arouses Jonas's true feelings for Fiona and the young man dares to suggest that every citizen should be blessed with memories of the past - good and bad - which marks him as a dangerous rebel in the eyes of the Council of Elders.

The Giver matures the book's 12-year-old hero to a handsome teenager in order to appeal to audiences who have thrilled and swooned to the vastly superior The Hunger Games and Divergent franchises.

Michael Mitnick and Robert B Weide's script simplifies themes to keep the running time trim, leaving us - perhaps fittingly - in a similar state to the futuristic populace: unmoved and apathetic. Noyce's film is as bland as the colourless world that Jonas inhabits, starving the thinly sketched characters of emotion and the cast of anything to sink their teeth into.

Thwaites is a sympathetic hero but Bridges and Streep are squandered and the central romance with Rush doesn't achieve a single prickle of sexual tension. Chastity is dutifully upheld apart from a couple of lingering, wet kisses.

Vibrant red seeps into the black and white cinematography as Jonas's eyes are opened to the truth, and Noyce introduces action elements including a cliff top chase to the turgid teen angst, augmented with workmanlike special effects. Audiences who receive The Giver will experience a similar memory wipe to Jonas and his kin and forget everything about the film as the end credits roll.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

The Guest 2 stars

movie title

Spencer Peterson and his wife Laura are devastated when their oldest son, Caleb, is killed during a tour of duty in Afghanistan. Caleb's siblings Anna and Luke are inconsolable until one of their brother's fellow soldiers, David Collins, arrives at their front door to fulfil his comrade's dying wish. Spencer and Laura welcome this brother in arms into their home but Anna are Luke are initially wary of the stranger in their midst.

  • GenreDrama, Thriller
  • CastJoel David Moore, Dan Stevens, Ethan Embry, Maika Monroe, Brendan Meyer.
  • DirectorAdam Wingard.
  • WriterSimon Barrett.
  • CountryUS
  • Duration100 mins
  • Official site
  • Release05/09/2014

Some films are born great, blessed with that rare combination of an intelligent script, superlative performances and virtuoso direction. Other films achieve greatness through luck or circumstance. Then there are films like Adam Wingard's violent psychological thriller, which achieve a level of greatness - some might say cult appeal - by virtue of their shoddy construction and ham-fisted execution. Harking back to bloodthirsty horror thrillers of the 1970s and 1980s, which were heavy on the synthesized electronic soundtracks, The Guest is a hysterically overblown anti-war movie that brings conflict to a peaceful community whose sons and daughters are fighting in the Middle East. Punctuated by unintentional laugh-out-loud interludes, Wingard's picture is a howlingly funny diversion from reality that merrily melds The Terminator and Halloween with only a cursory glance to plausibility. Leading man Dan Stevens obliterates fond memories of Matthew Crawley in Downton Abbey, portraying a sexy psychopath who gets one diner waitress hot under the collar by emerging from a steamy shower wearing just a low slung towel and a roguish smile. Lady Mary would have the vapours! Spencer Peterson (Leland Orser) and his wife Laura (Sheila Kelley) are devastated when their oldest son, Caleb, is killed during a tour of duty in Afghanistan. Their grief is salved when Caleb's brother in arms, David Collins (Stevens), arrives at their front door to fulfil his comrade's dying wish. Desperate for an emotional connection to her boy, Laura invites David to stay and the newcomer ingratiates himself to youngest son Luke (Brendan Meyer) by doling out rough justice to school bullies. Caleb's sister Anna (Maika Monroe) is harder to win over - she doesn't think it's healthy to re-open old wounds caused by her brother's passing. "We don't need a walking, breathing reminder of him right now," she tells her boyfriend Zeke (Chase Williamson). David plies his boyish charm until Anna is smitten too, telling her, "If I had a girl like you back home, I wouldn't have gone to the Middle East to get shot at." He is the perfect houseguest until a visit from Major Carver (Lance Reddick) forces the Petersons to question the veracity of David's story. The Guest is a hoot for all the wrong reasons, completely losing the plot and any sense of decorum when Simon Barrett's script begins its convoluted explanation of David's shady past. Stevens is devilishly handsome and Wingard's camera lingers on his twinkling blue eyes in swoonsome close-up. Supporting cast are at the mercy of the poor writing, desperately trying to make us care about a family who welcome a stranger into their home without properly checking his credentials. The frenetic blood-soaked finale at a Halloween-themed ball is a riot of giggles and gore that perfectly encapsulates the wackiness of Wingard's shambolic vision.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Hundred-Foot Journey 3 stars

movie title

Papa Kadam and his family flee Mumbai after an arson attack on their restaurant, which results in the death of Papa's wife. They seek refuge in a French village, which boasts a Michelin star establishment run by widow Madame Mallory. The building across the road happens to be vacant and Papa purchases the property with the intention of opening his own eaterie serving traditional Indian fare. This rivalry sparks hostility between the Kadams and Mallory, which spirals out of control.

Made to a tried and tested recipe laid out in Richard C Morais's novel, The Hundred-Foot Journey is an uplifting comedy drama charting the battle of wits between two restaurateurs in a close-knit French village. It's a familiar story of feuds and reconciliation, love and loss, laced with the heady spices of one family's proud Indian heritage. Screenwriter Steven Knight (Dirty Pretty Things) offsets the sweetness of the central narrative with tart one-liners, and garnishes with crowd-pleasing performances from Helen Mirren and Om Puri as fierce rivals, who learn to see eye to eye over the simmering saucepans. Lasse Hallstrom's handsome confection is comfort food for the soul. Myriad scenes of chefs searing fresh meats and fishes, or lovingly stirring the ingredients of thick sauces, tantalise the senses and make your mouth water. Papa Kadam (Om Puri) and his five children - Mansur (Amit Shah), Hassan (Manish Dayal), Mahira (Farzana Dua Elahe), Mukhtar (Dillon Mitra) and Aisha (Aria Pandya) - flee Mumbai after an arson attack on their restaurant, which results in the death of Papa's beloved wife (Juhi Chawla). Initially, the Kadams settle in London but they leave because talented chef Hassan discovers that "the vegetables have no soul, no life." So the clan seeks new horizons in Europe. Shortly after crossing the Swiss border into France, the brakes on the Kadams' van fail and they crash close to the village of Saint-Antonin, which boasts a Michelin star establishment Le Saule Pleureur run by widow Madame Mallory (Helen Mirren). The building across the road from Mallory's restaurant is vacant and Papa dreams of serving traditional Indian fare to the good people of France. Eldest son Mansur tries to dissuade his father from competing with Le Saule Pleureur: "It is the best restaurant for 50 miles and the President of France eats there!" Unperturbed, Papa opens Maison Mumbai with Hassan as head chef. This sparks a bitter rivalry with Madame Mallory's own chef Jean-Pierre (Clement Sibony) that spirals out of control. Thankfully, Madame's pretty sous chef Marguerite (Charlotte Le Bon) is more welcoming and she inspires Hassan to learn classic French cuisine including boeuf bourguignon and pigeon aux truffes. The Hundred-Foot Journey trades heavily on the spiky banter between Mirren and Puri, the former adopting a cod-French accent as she tells the Kadams, "If your food is anything like your music, I suggest you tone it down." Their interplay is a solid and appealing foundation for a sweet romantic subplot between Dayal and Le Bon. When Knight's script veers into slightly darker territory, and adds the poisonous tang of fame to the feel good mix, the film stumbles. Thankfully, director Hallstrom restores balance with a last-minute dollop of shameless sentimentality to ensure audiences leave with their bellies full of unbridled joy.

Showtimes (Click time to book tickets)

Monday 22nd September 2014
Tuesday 23rd September 2014
Thursday 25th September 2014

This film is also showing at:

The Inbetweeners 2 3 stars

movie title

Jay heads to Australia for a gap year, where he enhances his status as an incorrigible ladies man. With the promise of more sex than they can handle, Will, Neil and Simon head down under to join their pal and the four misfits abroad attempt to impress the female of the species including Katie, Polly and Lucy. The lads' ham-fisted chat-up lines and amorous overtures often lead to toe-curling humiliation.

  • GenreComedy, Drama
  • CastSimon Bird, James Buckley, Joe Thomas, Blake Harrison, Emily Berrington.
  • DirectorDamon Beesley, Iain Morris.
  • WriterDamon Beesley, Iain Morris.
  • CountryUK
  • Duration96 mins
  • Official site
  • Release06/08/2014

Some of the Inbetweeners may have bagged jobs. Some of them may have even found girlfriends, but thankfully The Inbetweeners 2, the comedy series' second foray onto the big screen, shows our fumbling foursome back on reassuringly awkward form. And with three hugely popular E4 series behind them and the most successful British comedy of all time to their name in their first film, there's no need to change the discomforting formula here.

Although almost a year has passed since the lads' holiday to Malia, the four anti-heroes haven't matured in the slightest. Despite getting a place at Bristol University, Will (Simon Bird) is still chronically uncool and is yet to make any real mates on campus; hapless Simon (Joe Cooper) isn't faring much better up in Sheffield where he's lumbered himself with a demanding girlfriend who destroys his hoodies; randy Jay (James Buckley) has moved to Australia but is working in a toilet and sleeping in a tent in his uncle's garden, and dim-witted Neil (Blake Harrison) has somehow landed a job in the bank but is still as gullible as ever.

Fed up with their lives and enticed by Jay's boastful emails about his conquests with Kylie and Dannii Minogue and five-star lifestyle, Will, Simon and Neil decide to surprise him by heading down under for a four-week break.

Predictably, Jay has been fibbing about his 'DJ' job and his bed posts have no more notches in them than before he left Blighty. In fact, it turns out that he actually misses his ex-girlfriend Jane (Lydia Rose Bewley), first seen in The Inbetweeners Movie.

Rather than kip on Jay's bullying uncle's lawn, the gang tag along with Will's prep school classmate, the popular and pretty Katie (Emily Berrington), who he bumps into, and head to the traveller paradise Byron Bay in a car that has a mural of Peter Andre's face on the side of it.

When it looks like Katie is interested in him, Will tries to woo her, giving a toe curling performance on an acoustic guitar and then racing beefed up love rival Ben (Freddie Stroma) in a stomach-churning water park ride complete with high-octane bodily functions.

The 'bants', as Jay and Neil would call them, come thick, fast and foul here and each of the four friends has their own tortuous meltdown, with varying degrees of putridity and penis jokes bandied around.

Gross, puerile and filled with playground gags, The Inbetweeners 2 is everything you'd expect it to be.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

The Nut Job 3 stars

movie title

Mischievous squirrel Surly lives in idyllic Liberty Park in the sprawling 1950s metropolis of Oakton City with his rat pal Buddy and fellow squirrels Andie and Grayson. Like all animals of his kind, Surly is mad about nuts and he orchestrates a daring heist of one of the city's shops for the tasty snack. Little does Surly know that the new owner of the store, King, is the leader of a gang of robbers who intend to tunnel from the store to the First Oakton Bank located across the street.

  • GenreAdventure, Animation/Cartoon, Comedy, Family, Family
  • CastLiam Neeson, Will Arnett, Katherine Heigl, Brendan Fraser, Maya Rudolph, Stephen Lang.
  • DirectorPeter Lepeniotis.
  • WriterLorne Cameron.
  • CountryCan/S Kore
  • Duration86 mins
  • Official site
  • Release01/08/2014

All of the hastily sketched characters in Peter Lepeniotis' 1950s-set computer-animated adventure go nuts at some point during the poorly paced proceedings. A money-grabbing ex-con goes gaga at the sight of rats, a pet pug is driven barking mad by her owner's repeated use of a silver dog whistle, a girl scout whoops with maniacal glee as a runaway food cart careens into oncoming traffic, and an army of woodland critters loosen their tenuous grasp on civility when they stumble upon a horde of cashews, pistachios, macadamias and walnuts. Protagonists of the two-legged and four-legged persuasions in The Nut Job might be bright-eyed and - in the case of the squirrels - bushy-tailed but most of Lepeniotis and co-writer Lorne Cameron's script feels tired. The narrative lacks fluidity, most of the animals don't exist beyond a single personality trait and there's a palpable absence of jeopardy during a centrepiece bank heist. References to a certain foodstuff are sprinkled liberally throughout the dialogue - "We found it: the Lost City of Nutlantis!" - so any parents who wake suddenly from a sneaky power-nap in the dark are soon reminded where they are. Raccoon (voiced by Liam Neeson) and his red bird sidekick Cardinal preside over the animal denizens of Liberty Park in the sprawling metropolis of Oakton City. Winter is fast approaching, so every groundhog, squirrel, mouse and mole gathers supplies to add to the food store in the trunk of the great oak. Everyone except for mischievous squirrel Surly (Will Arnett), who has always ploughed a lone furrow. "I'm independent, which means 'looking out for number one'," Surly reminds fellow squirrels Andie (Katherine Heigl) and Grayson (Brendan Fraser). When a raid on a food cart goes disastrously wrong, Surly is banished to the city by the other animals. The ravenous rodent stumbles upon a store selling nuts and plots a daring heist with trusty rat pal, Buddy (Rob Tinkler). Little does Surly know that the new owner of the store, King (Stephen Lang), is the leader of a gang of robbers, who intend to tunnel from the shop's basement to First Oakton Bank and plunder the vault. The Nut Job orchestrates some pleasing slapstick and visuals are colourful, including a couple of sprightly chases, but Lepeniotis' film doesn't justify a release on the big screen rather than a debut on home formats. Vocal performances raise a smile, but little more, and the squirrelly love triangle involving Surly, Andie and Grayson is clumsily contrived. Neeson uses his trademark growl to lend an air of menace to the dictatorial raccoon, who believes, "animals are controlled by the amount of food they have". Pickings are certainly slim here.

Showtimes (Click time to book tickets)

Saturday 20th September 2014
Sunday 21st September 2014

The Riot Club 4 stars

movie title

Alistair Ryle arrives at Oxford, hoping to emulate his older brother, a former president of an elite dining club at Oxford University. Given his lineage, Alistair is almost certain to catch the eye of Riot Club president James Leighton-Masters. However, it is dashing classmate Miles Richards from more humble stock, who steals Alistair's thunder and arouses the homosexual yearnings of influential club member Hugo Fraser-Tyrwhitt.

  • GenreAdaptation, Drama, Romance, Thriller
  • CastDouglas Booth, Natalie Dormer, Sam Claflin, Freddie Fox, Sam Reid, Jessica Brown Findlay, Ben Schnetzer, Gordon Brown, Olly Alexander, Max Irons, Tom Hollander, Matthew Beard, Holliday Grainger, Jack Farthing.
  • DirectorLone Scherfig.
  • WriterLaura Wade.
  • CountryUK
  • Duration107 mins
  • Official sitewww.facebook.com/TheRiotClubUK
  • Release19/09/2014

The class war degenerates into foul-mouthed tirades and stomach-churning violence in Laura Wade's robust adaptation of her own coruscating stage play. Posh originated at the Royal Court Theatre in London in 2010 and was revived two years later in the West End, painting a vivid portrait of a fictional dining clique akin to the Bullingdon Club at Oxford University, which once included David Cameron, George Osborne and Boris Johnson in its notorious ranks.

Lone Scherfig's film, retitled The Riot Club, packs a similar emotional wallop to its stage-bound predecessor, detonating pent-up testosterone and tempers with horrifying repercussions. Wade has fleshed out key protagonists and excised some scenes entirely to reduce the running time by 40 minutes.

There seems to be a greater emphasis on the fledgling romance between the most likable male character and a down-to-earth northern lass (Holliday Grainger), who is dazzled by the dreaming spires and gushes, "Being at Oxford is like being invited to 100 parties all at once - and I want to go to all of them."

The Riot Club is not a party most of us would wish to attend. But that's the point. Alistair Ryle (Sam Claflin) arrives at Oxford, hoping to emulate his older brother, a former president of the titular fraternity.

This hush-hush 10-strong dining club honours the memory of its libidinous 18th century founder by boozing to excess at an annual dinner, trashing the venue and paying for the damages out of their trust funds. Given his lineage, Alistair is almost certain to catch the eye of Riot Club president James Leighton-Masters (Freddie Fox).

However, it is dashing classmate Miles Richards (Max Irons) from more humble stock, who steals Alistair's thunder and arouses the homosexual yearnings of influential club member Hugo Fraser-Tyrwhitt (Sam Reid). Alistair and Miles pass initiation and are inducted into the ranks alongside Harry Villiers (Douglas Booth), Guy Bellingfield (Matthew Beard), Toby Maitland (Olly Alexander), Dimitri Mitropoulos (Ben Schnetzer) and George Balfour (Jack Farthing).

The students head to a country pub run by Chris (Gordon Brown) and his daughter Rachel (Jessica Brown Findlay), who have no idea of the devastation about to be wrought.

The Riot Club is a sobering attack on a culture of inherited privilege and power in Britain. Scherfig's film dissects how our egalitarian society is founded on secret handshakes in wood-panelled rooms far from the madding electorate, and you can almost see the venom streaking down the camera lens when one inebriated club member sneers, "I am sick to death of poor people!"

The Danish filmmaker, who previously helmed the Oscar nominated coming of age story An Education, doesn't spare the morally repugnant characters any blushes. A climactic showdown is just as jaw-dropping in lurid cinematic close-up as it was from the safe distance of the theatre's upper circle.

Showtimes (Click time to book tickets)

Friday 19th September 2014
Saturday 20th September 2014
Sunday 21st September 2014
Monday 22nd September 2014
Tuesday 23rd September 2014
Wednesday 24th September 2014
Thursday 25th September 2014

This film is also showing at:

We Are The Best! 3 stars

movie title

Thirteen-year-old Klara sports a striking mohawk and is looking for an outlet for her talents, like best friend Bobo. Having being told by everyone that punk is dead, Klara and Bobo decide to form an all-girl band, ignoring two rather important facts: they have no instruments and they have no obvious musical ability. The girls bolster their ranks by recruiting classmate Hedvig, who plays classical guitar.

  • GenreAdaptation, Drama, Historical/Period, Musical, World
  • CastDavid Dencik, Mira Barkhammar, Alexander Karlsson, Liv LeMoyne, Mira Grosin.
  • DirectorLukas Moodysson.
  • WriterLukas Moodysson.
  • CountrySwe
  • Duration102 mins
  • Official sitewww.magpictures.com/wearethebest/
  • Release18/04/2014 (selected cinemas)

Acclaimed Swedish director Lukas Moodysson keeps it in the family for his latest film by adapting his wife Coco's graphic novel Aldrig Godnatt set in 1980s Stockholm. Thirteen-year-old Klara (Mira Grosin) sports a striking mohawk and is looking for an outlet for her talents, like best friend Bobo (Mira Barkhammar). Having being told by everyone that punk is dead, Klara and Bobo decide to form an all-girl band, ignoring two rather important facts: they have no instruments and they have no obvious musical ability. The girls bolster their ranks by recruiting classmate Hedvig (Liv LeMoyne), who plays classical guitar. The three misfits follow their own path, defying expectations as they wrestle with all of the usual growing pains.

Showtimes (Click time to book tickets)

Monday 22nd September 2014
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